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PT 101: Pro Tools Fundamentals I (Online)

Learn the basics of Pro Tools and build the skills needed to complete professional projects through this course. Covering everything from setup to final mix down, students assemble sessions that include multi-track recordings, MIDI sequences, and virtual instruments.

  • Beginner
  • 16 and older
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  • Virtual Class room
  • 16 hours over 2 sessions

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  • Mon, Oct 26 at 10:00am - 6:00pm
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Class Description

Description

Students in this comprehensive course gain an understanding of foundational Pro Tools principles, equipping them with all the knowledge they need to produce a complete Pro Tools project, from the initial setup process through to final mix completion.

Participants learn the process of building multi-track recording sessions that incorporate live audio recordings, MIDI programming, and software-based virtual instruments. Through practical hands-on labs and real-world projects, you will develop core competencies including session development techniques, recording and incorporating audio and MIDI material, manipulating and refining session content, navigating through multi-track sessions and positioning material across channels, and applying core mixing approaches and audio enhancement tools to finalize your production. The course includes downloadable resources containing sample media and Pro Tools session files to support your learning activities and hands-on projects.

Who is this class for?
This comprehensive program serves both beginning and seasoned Pro Tools users who want to establish a comprehensive foundation in Pro Tools software fundamentals and capabilities.

Prerequisites:

  • Prior experience with Avid Pro Tools is not required
  • Comfort with using Windows or Apple operating systems
  • Foundational knowledge in audio production and digital audio workstations, such as experience with audio capture equipment, working familiarity with recording and programming audio and MIDI, understanding of multi-track recording concepts (such as adjusting levels and applying panning), and prior experience with contemporary audio gear like MIDI keyboards and audio converters.

Upon completion of this course, you will be able to:

  • Set up a Pro Tools session with suitable configuration options
  • Execute common audio production work and tasks
  • Use navigation and audio manipulation techniques in a multi-track Pro Tools environment
  • Apply appropriate recording and blending methods for both audio and MIDI content
  • Examine and understand the organization of session file structures
  • Identify and navigate the Pro Tools interface and available tool options


SYLLABUS:
Getting to Know Pro Tools
What Is Pro Tools?

  • Audio recording and editing
  • MIDI sequencing and recording
  • Music notation features
  • Mixing console and automation
  • Production and mastering

The Evolution of Pro Tools

  • Early history and beginnings
  • Development into the Digidesign platform
  • Emergence of Pro Tools software
  • Growing maturity and stability
  • Growth of Avid audio products
  • ICON Mixing Console System
  • VENUE Sound System and Mixing
  • Pro Tools in recent years
  • Current state and modern capabilities

Basics of Digital Audio

  • Core Sound Characteristics: Waveform Properties, Frequency Range, and Loudness Level
  • Converting analog audio signals to digital format
  • Digital to analog signal transformation
  • Creating audio in digital file format

Pro Tools System Configurations

  • Available software packages
  • Computer-based systems and specialized processing systems
  • Audio input and output interface choices
  • Pro Tools |HD Series recording interfaces
  • Core Pro Tools capabilities and options
  • Integrated audio processors and optional features

Cross Platform Issues

  • Keyboard shortcuts across platforms
  • File naming guidelines and conventions

Getting Inside Pro Tools
Target Hardware and Configuration
Pro Tools File Organization

  • File arrangement and storage
  • Parts of a Pro Tools session

Starting Pro Tools

  • Powering on your audio hardware
  • Using the PACE iLok protection system
  • Opening Pro Tools software
  • Connecting your audio input and output devices
  • Improving performance of computer-based systems

The Pro Tools Software Interface

  • The menu system structure
  • Primary Pro Tools windows and components
  • Help text and tooltips

Edit Tool Functions

  • Zoom adjustment tool
  • Edge trimming and cutting tool
  • Region selection tool
  • Moving and repositioning tool
  • Scrubbing for precise location tool
  • Drawing and freehand tool
  • Multi-purpose tool combining features

Edit Modes

  • Shuffle sequencing mode
  • Free positioning mode
  • Time location mode
  • Quantized positioning mode

Time Scales and Rulers

  • Primary time display
  • Secondary time display
  • Available ruler display selections

MIDI Control Features

  • Wait for input trigger
  • Metronome click track
  • Preparation measure
  • MIDI recording combination mode
  • Enable ruler display
  • Time signature display
  • Tempo adjustment controls

Creating Your First Session
The Session Setup Panel
Creating and Setting Up a Pro Tools Session

  • Selecting appropriate session parameters
  • Storage space requirements
  • Establishing a new session

Working with Tracks

  • Inserting new tracks
  • Labeling your tracks
  • Removing tracks
  • Placing content on tracks

The Playback Cursor and the Edit Cursor

  • Position during playback
  • Position for editing
  • Establishing the playback start location
  • Moving the playback position
  • Navigation and scrolling options

Saving, Locating, and Opening Existing Sessions

  • Preserving your session
  • Finding and retrieving a session

Making Your First Audio Recording
Before Recording

  • Storage space requirements for audio files
  • Storage space monitoring

Preparing to Record

  • Adding a metronome beat (optional)
  • Verifying hardware setup
  • Enabling record on tracks
  • Configuring audio input routing, gain, and panning

Recording and Managing Audio

Organizing after Recording

  • Switching back to playback mode
  • Arranging audio material and segments
  • Deleting audio segments and clearing audio files

Importing and Working with Media in a Session
Considerations Prior to Import

  • Sample resolution, sampling frequency, and recording format
  • Stereo file preparation

Importing Audio

  • Audio import window and controls
  • Using the import audio menu option
  • Bringing audio in using file management windows
  • Importing multiple audio files at once
  • Copying audio from CD media

Importing Video

  • Video channel options
  • Managing video content in sessions

Making Your First MIDI Recording
MIDI Fundamentals
MIDI Capabilities in Pro Tools

  • Building MIDI recording channels
  • Real-time processing versus tempo-based processing
  • Time display formats for MIDI editing

Setting the Session Meter, Tempo, and Key Signature

  • Configuring time signature
  • Adjusting tempo speed
  • Establishing the musical key

Preparing to Record MIDI

  • Connecting MIDI input devices
  • Confirming MIDI device connections
  • Enabling record on MIDI channels
  • Configuring recording parameters

Using Virtual Instruments

  • Installing a virtual instrument on a recording channel
  • Using the Xpand!2 instrument
  • Using the Boom sampler
  • Using the Structure Free synthesizer
  • Recording MIDI sequences

Viewing MIDI Data on MIDI Compatible Tracks

  • MIDI clip view
  • MIDI note view
  • Velocity intensity view
  • MIDI editing window display options

Selecting and Navigating
Using the Universe View

  • Adjusting universe size
  • Current position indicator
  • Scrolling and repositioning in universe view
  • Types of selection modes
  • Timeline selection methods
  • Editing area selection methods

Working with Selections

  • Making independent timeline and edit selections
  • Selecting regions across multiple channels
  • Using the tab navigation key
  • Jumping to transient detection points

Adjusting the Session View

  • Modifying track height
  • Rearranging track sequence
  • Using the zoom adjustment tool
  • Using zoom toggle feature
  • Adjusting horizontal and vertical magnification
  • Saving and retrieving zoom configurations

Adding Markers to Your Session

  • Memory location reference points
  • Establishing a marker
  • Memory location reference panel
  • Jumping to a marker location
  • Removing a marker location
  • Making a region based on markers

Basic Editing Techniques
Selecting Playback Options

  • Navigation and scrolling during playback
  • Continuous playback repetition

Using the Edit Modes

  • Shuffle mode sequencing
  • Free slip mode
  • Spot mode positioning
  • Grid quantization mode
  • Using grid snap
  • Customizing grid settings
  • Modifying regions and clips
  • Standard editing operations
  • Specialized Pro Tools editing techniques

Moving and Trimming Clips

  • Using the grabber repositioning tool
  • Using trim and cutting tools
  • Using the nudge adjustment feature
  • Creating fade transitions
  • Fade in and fade out effects
  • Crossfade blends
  • Fade customization options

Undoing Your Work

  • Multi-step undo capability
  • Returning to prior selection
  • Reverting to previously saved state
  • Retrieving from session backup copies

Basic Mixing Techniques
Basic Mixer Terminology

  • Signal inputs
  • Signal outputs
  • Processor connections
  • Sends to auxiliary channels and returns from effects

The Pro Tools Mix Window

  • Setting up the mixing console window

Basic Automation

  • Recording parameter changes during mixing
  • Playing back recorded parameter changes
  • Disabling parameter automation
  • Viewing parameter automation data
  • Adjusting automation points and curves

Real Time Plug Ins

  • Real-time processor capabilities
  • Processor plugin categories
  • Built-in audio processing tools

Finishing Your Work
Backing Up Your Session

  • Creating a session archive copy
  • Moving a session between computers

Creating a Stereo Mixdown

  • File format and compatibility for bouncing
  • Combining to existing tracks
  • Combining to new file
  • Transferring bounce file to media player

Burning Songs to CD from Media Library

Remote Learning

This course is available for "remote" learning and will be available to anyone with access to an internet device with a microphone (this includes most models of computers, tablets). Classes will take place with a "Live" instructor at the date/times listed below.

Upon registration, the instructor will send along additional information about how to log-on and participate in the class.

School Notes:

Once you have signed up for this class, please email [email protected] if you are signing up for personal improvement or for business and if the company will be paying for your tuition.

Refund Policy

Any transfers and cancellations require written notification to [email protected]

Rescheduling Policy:

  • Bookings transferred by the customer more than 15 business days before the commencement date of the course will incur no transfer fee.
  • Bookings rescheduled by the customer within 1 to 15 business days of the commencement date of the course will incur a $150 transfer fee.

All transferred courses must be completed within 3 months of the commencement date of the original class.

Cancellation/Exclusion Policy:

  • Cancellations by customers made more than 22 business days before course commencement will incur 5% cancellation fee.
  • Cancellations within 9 to 22 business days of course commencement will incur a 50% cancellation fee
  • Cancellations between 1 and 8 business days will incur a 100% cancellation fee.
  • In the event that a customer cancels a booking for which a transfer has taken place, this will incur a minimum 50% cancellation fee.

All refunds for the Six Week Intensive may take a minimum of 10 business days to process regardless of when the cancellation occurs.

Exclusion of a Student by the school may occur if the student displays behavior deemed inappropriate and/or disruptive to other students and/or school faculty. Student will receive 1 (one) written warning regarding behavior. If the behavior in question is repeated, the Student will be removed from the class with a written explanation of their exclusion. In the event that a Student is removed due to the above-mentioned repetitive and/or disruptive behavior, no tuition fees will be refunded.

In any event where a customer wants to cancel their enrollment and is eligible for a full refund, a 5% processing fee will be deducted from the refund amount.

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Manhattan Edit Workshop

Headquartered in the vibrant Flatiron District of New York City, Manhattan Edit Workshop (MEWShop) was founded in 2002 to provide cutting-edge instruction on Adobe, Avid, Blackmagic, and Apple platforms. Over the years, MEWShop has evolved into a comprehensive training center, offering an ever-expanding curriculum designed to meet the demands of today's media and entertainment industries. Whether you’re an aspiring editor, a seasoned professional looking to refine your skills, or a content creator seeking to expand your production knowledge, MEWShop provides the ideal environment to learn and grow. Our approach to education combines technical mastery with artistic vision, ensuring that students not only understand the tools of the trade but also develop a keen storytelling sense essential to success in the industry.

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