60×60 is a one-hour-long show made by sequencing 60 pre-recorded pieces by 60 different composers, each piece a minute in length or shorter. A unique collaboration between VoxNovus / Robert Voisey and Harvestworks in New York City to create a 5.1 surround sound mix.
Vox Novus and Harvestworks invited composers and sound artists to submit recorded works as 5.1 audio 60 seconds or less in length to be included in a special 60×60 project collaboration in New York City. We received over 160 submissions, and present the finalists in an event at Harvestworks’ multichannel TEAMLab listening space.
Every one-minute piece will be played continuously without pause. Each of the 60 pieces will begin precisely at the beginning of the minute, this will mark the end of one piece and the beginning of another.
The 60×60 project’s definition of a record work is as follows: any work created as a musical composition which is captured on recorded media, which does not require live performers for its production in broadcast at concert halls, radio, multi-media, etc. Its creation can include but not limited to acoustic instruments, voice, environmental sources, and computer (Sampling, Max/MSP, Ableton Live, MIDI, C Sound, ProTools, etc.)
All works submitted had been with the understanding that it is their recording that is of prime importance and is what will be used to determine its selection. Since this is a multichannel work, the panel paid special attention to the spatial aspects of the compositions.
60×60 is a project of “signature works” and short works created specifically for the 60×60 project. Excerpts of larger works had been strongly discouraged. Works generated from procedures (i.e. mathematical matrices, organizational systems, or computer programs,) remixed works, or themes and motives recomposed from other of the composer’s own work were acceptable. The call was open to composers of any nationality, age, or career stage.